New hands-on footage claims to show 5.5-inch ‘iPhone Air’ (Video) | 9to5Mac

New hands-on footage claims to show 5.5-inch ‘iPhone Air’ (Video) | 9to5Mac: "Apple is reportedly working on two models of the next iPhone for release this fall, both rumored to be getting the spotlight at a special event on September 9th. Both models of the refreshed flagship are said to be getting a larger screen than the iPhone 5s, shipping in both 4.7 and 5.5-inch sizes. The above 5.5-inch device is rumored to be shipping with a sapphire crystal display, while it’s reported that only some of the smaller, 4.7-inch models will sport the same."
I see a lot of folks with broken glass displays. I think the sapphire will be an interesting addition if it doesn't increase the price.

Comments

Post a Comment

Popular posts from this blog

Moving Vision Exhibition

A new exhibition opening at Oklahoma City Museum of Art on Feb. 20, “Moving Vision: Op and Kinetic Art from the Sixties and Seventies,” features movement – both real and perceived. www.artfixdaily.com/news_feed/2021/01/25/5509-moving-vision-exhibition-of-op-and-kinetic-art-to-feature-ophthal
Read more

Matte Black Apple MacBook

Apple has filed a patent application for an intense light-absorbant matte black finish for a range of products, including the iPhone, iPad, Apple Watch, and MacBook (via Patently Apple). www.macrumors.com/2020/12/04/apple-researching-matte-black-finish/ Nothing says creative business like basic black.
Read more

...learning from Bridget Riley’s prints

This handsome book documenting Bridget Riley’s prints over nearly 60 years is the revised and expanded edition of a catalogue raisonné, last published in 2012. It is therefore the definitive source for her prints. Each print has been assigned a catalogue number, and a concordance at the back of the book aligns this new system with Karsten Schubert’s previous numbering of the prints, which he compiled for Bridget Riley: Complete Prints 1962–2012 (editions one to four). But it is the overall presentation of this new edition, plus an additional essay by art historian Robert Kudielka, which brings it into line with The Complete Paintings 1946–2017, a five-volume set published in 2018. Together, these six volumes are a testament to the unremitting combination of passion and rigorous critique that has driven Riley’s work over the last seven decades. https://www.apollo-magazine.com/lines-of-continuity-learning-from-bridget-rileys-prints/
Read more