Apple’s Irish tax arrangements explained as company denies special treatment | 9to5Mac

Apple’s Irish tax arrangements explained as company denies special treatment | 9to5Mac: The European Commission today announced that it had reached the ‘preliminary view’ that these deals amounted to state aid, reports the WSJ. However, Adam Smith Institute Fellow Tim Worstall, writing in Forbes, argues that even if this view is substantiated in the final report, it is the Irish government, rather than Apple, which would be in the firing-line.
I think emerald Isle is a great place for Apple HQ and they should flip the bitch to the EU.

Comments

Post a Comment

Popular posts from this blog

Moving Vision Exhibition

A new exhibition opening at Oklahoma City Museum of Art on Feb. 20, “Moving Vision: Op and Kinetic Art from the Sixties and Seventies,” features movement – both real and perceived. www.artfixdaily.com/news_feed/2021/01/25/5509-moving-vision-exhibition-of-op-and-kinetic-art-to-feature-ophthal
Read more

Matte Black Apple MacBook

Apple has filed a patent application for an intense light-absorbant matte black finish for a range of products, including the iPhone, iPad, Apple Watch, and MacBook (via Patently Apple). www.macrumors.com/2020/12/04/apple-researching-matte-black-finish/ Nothing says creative business like basic black.
Read more

...learning from Bridget Riley’s prints

This handsome book documenting Bridget Riley’s prints over nearly 60 years is the revised and expanded edition of a catalogue raisonné, last published in 2012. It is therefore the definitive source for her prints. Each print has been assigned a catalogue number, and a concordance at the back of the book aligns this new system with Karsten Schubert’s previous numbering of the prints, which he compiled for Bridget Riley: Complete Prints 1962–2012 (editions one to four). But it is the overall presentation of this new edition, plus an additional essay by art historian Robert Kudielka, which brings it into line with The Complete Paintings 1946–2017, a five-volume set published in 2018. Together, these six volumes are a testament to the unremitting combination of passion and rigorous critique that has driven Riley’s work over the last seven decades. https://www.apollo-magazine.com/lines-of-continuity-learning-from-bridget-rileys-prints/
Read more